![]() ![]() Ironically, when we bid the show, we bid 212 shots, and that is exactly where we finished, but for less money. My partner Chris Jones and I wanted to let Joss and the studio know that the movie came first and that we would not try to accomplish more than we could deliver, Peristere remarks. A matte painting is composited to the original plate to build the city area. Part of this plan included acknowledging the companys limitations and planning the film production in its best interests.Ībove is a vfx shot of Miranda Planet City Area. On Serenity, Zoic was the lead vendor and had to plan accordingly. Although the company had completed sequences on Van Helsing, The Day After Tomorrow and Spider-Man 2, they were finite sequences awarded in post-production. ![]() The movie is bigger and better because of their efforts.įor Zoic Studios, it was obvious from the beginning that Serenity was going to be their largest project ever. Thanks to Joss and Johns respect in the community, they were able to do a great deal with very little money. We were very fortunate to have these very talented companies on our picture, Peristere comments. Finally, PMP and Richard Malzahn produced many composites in collaboration with Zoic Studios. This spectacular sequence was realized in miniature by Grant McCune Design and photographed by Bill Taylor of Illusion Arts. Universes world and the 3D environments seen during the crash of the Serenity. Illusion Arts also created the 3D introduction to Mr. CG models were built in Maya and XSI while compositing was carried out in After Effects. Universes world, the Ion Cloud, Inaras world and Beaumonde. Illusion Arts and Syd Dutton created about 20 shots, including Mr. R+H provided 30 shots under Bud Myricks supervision, including the Mining Camp, the Black Room, the Basement Generator and the Funeral sequences. Zoic had to create a new pipeline for the job, which was led by R&D supervisor Steve Avoujageli. Zoic Studios, led by Loni Peristere (left), bid on 212 vfx shots and completed them under budget. The movie is bigger and better because of their efforts. We were very fortunate to have these very talented companies on our picture Peristere comments. R+H provided 30 shots under Bud Myricks supervision, while Illusion Arts focused on several sequences - including a miniature crash realized by Grant McCune Design - with Bill Taylor and Syd Dutton overseeing the project. At this point, John Swallow, evp of production technology for Universal, and overall visual effects producer Juliette Yeager brought in Rhythm + Hues (R+H), Illusion Arts and Perpetual Motion Picture (PMP) to help on the film. However, as production progressed, it became clear that Serenity would be better served by splitting up the film among several vendors. The facility led the design for the entire film under Whedons direct supervision. Serenity called for about 400 shots, with Zoic Studios producing 212 of them. This nine-year long collaboration was about to reach its peak with the feature film version of Firefly. A founding partner at Zoic Studios, Peristere had already produced thousands of effects shots for Whedons TV shows, including Buffy The Vampire Slayer, Angel and, most especially, Firefly, for which he had won an Emmy Award in 2003. Fans of the original series wont be disappointed as spaceship Serenity and her eclectic crew are all back for a deadlier-than-ever mission: transporting two passengers that happen to be the most wanted fugitives in the galaxyĪs soon as the movie was greenlit, Whedon turned to long time collaborator Loni Peristere to supervise the ambitious visual effects effort. 30 as Serenity, a Universal feature film release directed by Whedon. Only three years after its brutal cancellation by FOX Television, Firefly hits the local multiplex Sept. For Firefly, all it needed was a mere nine episodes, a huge success on DVD and the relentless energy of its creator, Joss Whedon. Usually, for a television series to reach the big screen, it requires several successful seasons and many years of intense fan activity. All images courtesy of Zoic Studios Studio: Universa After shooting the original footage on location, skiff and terrain models are created. Serenity makes the move to the big screen with help from Zoic. ![]()
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